Repressed Sexuality in Bram Stokers Dracula Essay -- Bram Stoker Dra

Repressed Sexuality in Bram firemans genus Dracula Perhaps no work of literature has ever been composed without universe a product of its era, mainly because the human being responsible for makeup it develops their worldview within a particular era. Thus, with Bram Stokers Dracula, though we have a vampire myth smart filled with terror, horror, and evil, the story is a thinly conceal disguise of the repressed sexual mores of the prudish era. If we look to critical comment and commentary to win support for such(prenominal) a thesis, we find it aplenty For tingling Dracula certainly is. Quasi-pornography one critic labels it. Another describes it as a kind of incestuous, necrophilious, oral-anal-sadistic all-in-wrestling matching. A sexual search of the novel unearths the following seduction, rape, necrophilia, pedophilia, incest, adultery, oral sex, convention sex, menstruation, venereal disease, voyeurism (Leatherdale 155-156). While there are many other interpretations of t he novel, such as the vampire as a Satan figure who wishes to constrict away the mortality Christ won mankind, this analysis will seek how it reads as a story of repressed sexuality and the conflict it creates for the characters subsisting in a repressed Victorian world. Christopher Craft, in his review of the novel, argues that the grammatical gender roles of males and females were extremely well-defined and limiting in Victorian society. The male was comprehend as the stronger of the sexes, and women were relegated to a voiceless and submissive role. He argues that Harkers eager first moment of the incestuous vampire daughters is a direct parallel of the roles of men and women in Victorian society, but the roles are reversed Harker awaits an erotic fulfillment ... ... novel allows an outlet for natural, human biological necessities, no doubt many Victorian readers were similarly thrilled and repulsed by its deliberate depiction of them. WORKS CITED Auerbach, N. A. and Skal, D . J. Bram Stoker Dracula Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. New York, W. W. Norton & Company, 1997. Carter, M. L. (ed.). Dracula The vampire and the Critics. Ann Arbor, U.M.I. Research Press, 1988. Darling, L. Dracula is us the vampire always sinks his fangs into our deepest fears. Newsday. Nov. 8, 1992, (07) 1-5. Leatherdale, C. Dracula The novel and the Legend A Study of Bram Stokers Gothic Masterpiece. Brighton, Desert Island Books, 1993. Taylor, S. B. Stokers Dracula. The Explicator. Vol. 55. Sept. 1, 1996, (29-31) 1-3.