X- Factor or X-Fixer? X-Factor as a Commodity Essay -- Music Industry,

The assignment bequeath attempt to explore the commercialised fabrication that is X-Factor, on the music sedulousness. In particular, what does the reality base X-factor pose for production of artists, and the make this has on the industry? The prestige for production that X-Factor had to offer for the music industry, simultaneously to now it may no longer desire through recognition of just regurgitated material? A matter of opinions and factual literature will be explored to elude the commodification this commercialised machine offers to the music industry. Firstly, what argon commodities and the recounting commodification holds within the music industry? Commodities are an existence of a costly that are produced for means to a profit (Marx, 1968). Well established commodities are those with large markets, accustomed by large derivative markets trade and presuppose profit, if the asset or produce interchanges in the way they are pass judgment (Hesmondhalgh, 2007). Therefor e, would it suggest culture commodification districts genuine value and asserts more focus on profit motives, subsequently, weakening creativity and originality that are imposed within the media industry? The relationship between commodification and the X Factor is a direct market tool for the commodification of music, which takes particular advantage of the much sought-after Christmas Number angiotensin converting enzyme spot every year (King, 2010). The X-Factor is a reality TV show that commercialises a singing competition. It originated from England, where now the format is sold in versatile other countries such as America. Contestants embark on four prelim rounds prior to auditions go round in front of judges, where they are then faced through on going auditions to then face the public in li... ...ord selling is simply about the quality of the musician with that record, where as the star-making governance refers to a well-established artist or brand based on their prev ious performance to guarantee future success, examples such as Elvis Presley or the Beatles to name a few. X-Factor nurtures and sculpts this musician to fit a star image or star personality (Frith, 2000), for example through the auditions you see their family or hear of a heart whelming story to add likability factor to their image. predominate marketing on the image as oppose to the music-making is often comprehend throughout the live shows, you do not contain the X-Factor, or You have the voice, but the image is not right. Surely it is only about the voice, regardless of what branded top they are wearing or well-established berth they decided to put on that morning? The term X-Factor said to those